Kitty Wells, born Muriel Ellen Deason, was a groundbreaking figure in country music, earning the title “Queen of Country Music.” Though she initially retired from performing, her husband, Johnny Wright, encouraged her to record a response to Hank Thompson’s “The Wild Side of Life.” This led to the release of “It Wasn’t God Who Made Honky Tonk Angels” in 1952, a song that would catapult her to stardom and forever alter the landscape of country music.
The song became a massive hit, reaching number one on the Billboard country charts, a historic achievement as it made Wells the first woman to top the charts as a solo artist. The song’s success defied expectations, especially considering the controversy it initially generated due to its perceived critique of men and its frank discussion of female sexuality within the traditionally conservative country genre.
“It Wasn’t God Who Made Honky Tonk Angels” offers a female perspective on infidelity, challenging the societal norms that often blamed women for men’s straying. It posits that “honky tonk angels,” or women frequenting bars and engaging in affairs, were often driven to such behavior by unfaithful husbands. The song’s lyrics, bold for their time, suggested that men’s actions had consequences, leading women to seek solace and companionship elsewhere.
The song sparked a considerable reaction from audiences. While some radio stations initially banned it, deeming it too controversial, it resonated deeply with many women who felt their experiences were finally being acknowledged. The song became an anthem for female empowerment within the country music scene, sparking a debate about gender roles and challenging the traditional male-dominated narrative. “It Wasn’t God Who Made Honky Tonk Angels” not only launched Kitty Wells’ career but also opened doors for future female artists to express their perspectives in a genre often characterized by its traditional values.
