“Come Go with Me,” a quintessential doo-wop track released in 1957 by The Dell-Vikings, holds a special place in the history of rock and roll. The Dell-Vikings, formed in 1955 at the U.S. Naval Air Station in Patuxent River, Maryland, were a racially integrated group, a rarity in the segregated music scene of the time. Comprising five core members – Clarence Quick, Norman Wright, David Lerchey, William Carver, and Kripp Johnson – the group’s distinctive sound, characterized by smooth harmonies and a driving rhythm, quickly gained popularity.
“Come Go with Me” wasn’t the group’s first recording, but it became their breakout hit. The song climbed the charts, reaching number four on the Billboard Hot 100 and number two on the R&B charts. While it never achieved the coveted number one spot, its impact was undeniable. It solidified the Dell-Vikings’ place in the emerging rock and roll landscape and introduced their unique vocal blend to a wider audience. “Come Go with Me” also became a staple on early rock and roll radio, further cementing its legacy.
The song’s lyrics are simple yet effective, portraying a classic tale of youthful romance and invitation. The buoyant melody and infectious chorus make it an irresistible invitation to dance and sing along. The lyrics, though not particularly complex, capture the innocence and excitement of young love, resonating with teenagers across America. This universal theme of romantic pursuit contributed to the song’s widespread appeal.
Audience reaction to “Come Go with Me” was overwhelmingly positive. Its crossover success on both the pop and R&B charts demonstrated its appeal across racial lines, a significant achievement in the late 1950s. The song became a prom night staple and a jukebox favorite, solidifying its place in popular culture. It also paved the way for future doo-wop hits and influenced countless artists who followed in The Dell-Vikings’ footsteps. Though the group experienced some internal conflicts and lineup changes over the years, “Come Go with Me” remains their signature song and a timeless classic of the doo-wop era.
